Charles Richard-Hamelin and Noah Wessels

Supernatural Concert from Two Talented Pianists!

Charles Richard-Hamelin and Noah Wessels
Charles Richard-Hamelin (right) and Noah Wessels (seated)

Review by Jim Leonard

The concert began with 17 yr. old Noah Wessels – a student at Vernon Christian School. He began the concert with 3 Chopin pieces; the most dazzling being the “Revolutionary” Etude by Chopin. The piece has a difficult passage for the left hand that surges up and down the keyboard while the right hand issues fanfare like chords. Noah was certainly up to the task even though he began studying piano in 2015!

After hearing Charles Richard-Hamelin play only the first few passages of Beethoven’s Piano Sonata No.13 in Eb major (In a fantasy style), I knew I was in the presence of one of the world’s great pianists. To quote Robert Harris of the Globe and Mail (January 17, 2016) “His sense of time, harmony, above all, his structural originalities, are immensely sophisticated and daring. He seemed to be aware of the total Chopin by exposing inner voices and harmonic twists in both left and right hands.” I agree whole heartedly with Robert. All these accomplishments at the age of 30! His virtuosity never got out of hand nor did his playing become grotesque during loud passages.

During the Moonlight Sonata ( which was named such after Beethoven’s death) opening Adagio, I heard the real intention of the music with the rising sounds of sadness and despair brought forward by Richard-Hamelin’s skill. A furious Presto ensued, possibly representing anger or despair. This man gets you thinking by the way he plays!

Before intermission, Richard-Hamelin played a little known Fantasia in F sharp minor by Mendelssohn. I know why the piece was not played often – it is so difficult. No problem for our soloist. He breezed through the 3 movements with total abandon. His playing was so steady and confident throughout the piece.

After intermission we were treated to 12 Preludes, from opus 28 by Chopin. There was lots of variation in the length and character of each. They were played close together like a Suite. To finish the program, Richard-Hamelin played Chopin’s Andante Spianato and Grande Polonaise op. 22. The latter of the two was a stunning close to the concert; with cascading octave runs played with great confidence and skill; giving the effect of two players. After a short encore (I couldn’t hear the title as it was announced off mic) and a second standing ovation, Charles Richard- Hamelin bid his audience adieu. What a wonderful evening indeed!

The next NOCCA concert will be on Saturday March 28, 2020 at 7:30 pm. It features a cellist, harpsichordist and archlutist. More information can be found at nocca.ca.

Review by Jim Leonard for the Vernon Morning Star.

Charles Richard-Hamelin – Saturday February 29, 2020

Charles Richard-Hamelin
Charles Richard-Hamelin

Charles Richard-Hamelin
Saturday February 29, 2020 7:30 pm
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Charles Richard-Hamelin – Impressively credentialed, award winning Quebec-born pianist returns to Vernon, bringing the sheer beauty of his playing; mesmerizing audiences with passion, sensitivity and dynamic performances.

Playing of this insight and maturity is rare. The pianist always displays sterling technique and agility.” Geoffrey Newman.

NOCCA is very pleased to welcome back Charles Richard-Hamelin to our Performing Arts stage on Saturday, February 29 at 7:30pm. Silver medalist and laureate of the Krystian Zimerman award of the best sonata at the International Chopin Piano Competition in 2015, Charles Richard-Hamelin stands out as one of the most important pianists of his generation. He also won the second prize at the Montréal International Musical Competition and the third prize and special award for the best performance of a Beethoven sonata at the Seoul International Music Competition in South Korea. Charles was recently awarded the Order of Arts and Letters of Quebec and the prestigious Career Development Award offered by the Women’s Musical Club of Toronto.

Originally from Lanaudière in Québec, Charles Richard-Hamelin studied with Paul Surdulescu, Sara Laimon, Boris Berman and André Laplante. He is a graduate from McGill University, the Yale School of Music, the Conservatoire de Musique de Montréal and now works on a regular basis with pianist Jean Saulnier.

Charles Richard-Hamelin’s 2018 -2019 season was marked by three tours in Asia (Japan, Korea and China), the recording of the second volume of Beethoven’s complete sonatas for piano and violin with the Orchestre symphonique de Montréal concertmaster Andrew Wan, the recording of Chopin’s two concertos with the Orchestre symphonique de Montréal conducted by Kent Nagano, a solo recording of Chopin’s Ballades and Impromptus and over 75 concerts in Canada, Asia, Europe and the United States. In 2019 both the 2018 Beethoven sonata and the 2019 Chopin concerto recordings were awarded ADISQ (Quebec Association for the Recording, Concert and Video Industries) Felixes. The 2019 Chopin concerto recordings is listed at #2 and the Ballades and Impromptus recording at #6 on the CBC’s 20 favorite classical music albums for 2019.

For a young pianist (he turned 30 in July), Richard-Hamelin already has deep experience with Chopin’s Ballades and Impromptus, having played them the world over since winning the silver medal and Krystian Zimerman Prize at the 2015 International Chopin Piano Competition. “It’s really a blessing,” he explained to CBC Music when this album appeared. “This way I get to continue my lifelong exploration of his music, which still fascinates me so much. Chopin is usually all about grey areas.” His engagement — intellectual and emotional — with these pieces is palpable, and while he covers a huge dynamic range, his interpretation is never exaggerated or flamboyant. Some of the credit goes to producer/recording engineer Carl Talbot, who found the perfect balance between proximity and space to allow Richard-Hamelin’s pristine, bell-like tone to ring out. www.charlesrichardhamelin.com

Opening the performance is pianist Noah Wessels, a 17 year old grade 11 student who attends Vernon Christian School. He started playing piano in November 2015 after watching virtuosic music performance videos online. Noah studies piano with Daisy Penner at VCMS where he also takes violin lessons with Imant Raminsh, and he plays second violin in the Okanagan Symphony Youth Orchestra.

Click on the image/link below to view a video of Charles Richard-Hamelin:

SINGLE CONCERT TICKETS
Adults – $40  Under 18 – $20
Students on the 8to12 program – $5

Purchase tickets at:

TICKET SELLER
Phone: (250) 549-SHOW (7469)
E-mail: boxoffice@ticketseller.ca

– or –

Visit The Performing Arts Centre Foyer
3800-34th Street, Vernon
All concerts are held in the Vernon and District Performing Arts Centre.

Even More NOYSE – An Absolute Pleasure!

Even More NOYSE 2020

Review by Jim Leonard

It was an absolute pleasure to attend the NOYSE (North Okanagan Youth Showcase of Excellence) concert at Vernon’s Centre for the Performing Arts at 2 pm. on Feb.1st. Besides providing excellent entertainment throughout the year at bargain prices, NOCCA (North Okanagan Community Concert Association) sponsors the NOYSE concert featuring auditioned talented young musicians. It was a most inspiring afternoon for this reviewer!

The program featured educator and vocalist/actor/performer Paul Rossetti as MC. Paul used his educator skills (he is Principal at St. James Catholic School in Vernon) to interview each performer and/or group. He did this from a comfy chair and couch installed on the side of the stage. His charm and insight brought out the best in each performer.

Teslyn Bates who is only 15, began the program with Debussy’s “Au Claire de la Lune” (By the Light of the Moon). She played the piece with great sensitivity and accuracy. Her second piece- Six variations on a Canadian Folk Song- “Land of the Silver Birch” by Pierre Gallant.(composer not in the program; I hope I heard right!) was mildly modern and very clever. She played it with confidence and rhythmic vitality. I liked it!

Angela Zeng, cellist extraordinaire, thrilled us with her virtuosity on the cello as she played Capriccio by Tchaikovsky. Her intonation was perfect and so was her bowing technique; she showed skills far beyond her 15 years.

Gus Hansen gave us a change in style by playing brilliantly on his guitar; offering: “Over the Rainbow’ ; accompanying himself singing “Running Away” (showing himself as an accomplished vocalist); and a stunning “Corcovado” as a guitar solo. One small reservation from this reviewer: The tone of the guitar was harsh. A much more mellow sound would heighten the listener’s enjoyment. The Line 6 amplifier appeared to have plenty of tone adjustment and the semi-acoustic guitar could be played with the neck pick up. Nevertheless Gus showed wonderful ability!

Noah Wessels, a 17 year old pianist, immediately took charge of things by playing the “Polonaise in A” by Chopin. He brought out the military character of the piece perfectly. The 3rd movement of the “Moonlight Sonata” by Beethoven was played with authority and brilliance. During his interview, Noah revealed that he made string instruments as a hobby!

After the Intermission, we were treated to the lovely ethereal sound of the VCMS vocal quartet. The four young ladies-Zaela Thiessen, Alex Thiessen, Julia Atkins and Ulyana Doerksen- exhibited perfect ensemble, blend and tuning during their renderings of folk melodies “All the Pretty Little Horses, She Walks With Beauty and Windy Nights.”

Craig Matterson, pianist, tossed off a virtuoso yet sensitive version of Bach’s Partita in C minor. There was lots of excitement in his playing; he knew his stuff. Craig then “changed gears” completely; offering his arrangement of the jazz standard “Someday My Prince Will Come”. It was stunning as he whipped up a hurricane of sound after giving us a solid foundation of the tune at the outset.

Holly McCallum, a 17 year old cellist, offered “Variations on a Rococo Theme”, opus 33 by Tchaikovsky as her part of the program. It is a lengthy work full of mood swings- from melancholy to energetic- and urgent runs up to the highest notes on the cello. Her bowing skills and control were evident in the way she played the runs; ending in exceedingly delicate tones.

“Roots and Strings”- a duo comprised of Anna Konrad violinist, and Jackson Buller electric ukulele,- ended the concert in a fun way. They offered “The Fox”- a medley by “Nickel Creek” followed by a lovely original song “You Don’t Know”. They also had very nice voices! To end on a rhythmic and fun note, the entire roster of performers joined the duo onstage to clap along to a lively foot stomper of a tune. What a great concert it was!

The next NOCCA concert is on Saturday, February 29 2020 at 7:30 pm. Featured is internationally renowned pianist Charles Richard-Hamelin who is returning to Vernon by popular demand. Find more information at nocca.ca.

Review by Jim Leonard for the Vernon Morning Star.

Sords-Severn-Duvall Trio

Celebrating the 250th Anniversary of Beethoven’s Birth

Sords-Severn-Duvall Trio
The Sords – Severn – Duvall Trio

Review by Matt Arnott

The Sords – Severn – Duvall Trio: A concert celebrating the 250th anniversary of Beethoven’s birth.

The Audience attending the Vernon and District Performing Arts Centre on Sunday December 1st was treated to a riveting variety of chamber works (including some well beyond Beethoven’s era) performed by the Violin, Cello, and Piano trio comprised of Andrew Sords of Ohio, Luke Severn of Australia, and Canada’s own Cheryl Duvall (Toronto).

Opening the evening was young artist Craig Matterson with two piano solo selections, the great Nocturne in C minor Opus 48 No. 1 by Chopin, and the favorite “Bells of Moscow” Prelude in C# minor by Rachmaninoff. The 20-year-old pianist, no stranger to both classical and jazz performance, enraptured the audience with his finely-honed dynamics and (especially in the Rach) carefully poised yet punctuated moments of surprise drama. The NOCCA Steinway concert piano responded perfectly to his ultra-sensitive touch.

First on the Sords – Severn – Duvall Trio programme was Brahm’s 6th Hungarian Dance in Db, in which we were immediately struck with the flair and ease that these musicians could portray the energetic jauntiness, quirky nature, and warmly personal characteristic of the third musical B’s happier of peasant dances.

Smoothly hosted by Sords, the listeners were next introduced to a selection from Beethoven’s earlier and easier period of life, his Trio in C minor, the key in which Ludwig “always meant business”. The rendering was clean, tight, and dramatic – the trio movement especially being darkly playful, giving the sense that the Grumpy L.van B. may have often had a twinkle in his baleful eye. The Finale prestissimo was slick, syncopated, satisfying. Overall a superior performance.

A radical change in compositional era followed with Severn’s own “…when the world was young” for cello and piano. In a word, stunning. The drama between a piano played (and masterfully so by Duvall) to its fullest emotive extent, and a cello being nothing short of a personal extension of its owner’s body, carried the audience on a tonal ozone expedition like no other. It wailed, it danced, it whispered from the heart of an 11-year-old child … yet it also proclaimed truth from the soul of an adult who sees things from a new and passionate viewpoint.

Finishing the first half was a suitably passionate display of Romany Freneticism with Ravel’s Tzigane for violin and piano. Pulled off with aplomb and panache by Sords’ and his dramatic posture, the music caught the whole audience up in a trance of drama and delight. The incredible pianistic skills of Duvall left the listeners still panting as the house lights came up for intermission.

The entire second half consisted of an incredibly mature and engaging performance of Beethoven’s Archduke Trio – in Sords’ own words: “If one were to attend church, musically speaking, then let the slow (third) movement be your entrance into worship.” And indeed, it was a long, heartfelt, and deeply transcendent moment of musical reverence. The skill required to play through this whole four-movement masterwork and maintain, to the last chord, its grace, strength, and depth of human portent was not lost on the listeners as they were carried into the very heart of Beethoven’s musical self.

Ending on a splashy note, the Trio elected to give an encore of the Scherzo (musical joke) by Shostakovich. Indeed, a virtuosically fun and fantastic way to end a full-bodied evening of chamber music from the best.

The next NOCCA concert is on Sunday February 29, 2020 at 7:30 pm and will feature the marvellously talented, award winning Quebec-born pianist Charles Richard-Hamelin – more information at nocca.ca.

Tickets are now available from ticketseller.ca for the NOYSE concert showcasing North Okanagan’s young musicians (this is not part of the regular NOCCA subscription series). Audition applications are welcome until January 4th. Auditions will take place at the Vernon Community Music School on Saturday January 11th. For more information please go to the NOYSE page of our website. The Gala Performance will take place at the Vernon and District Performing Arts Centre on Saturday February 1, 2020 at 2:00 pm.

Review by Matt Arnott for the Vernon Morning Star.

Sords-Severn-Duvall Trio

Sords-Severn-Duvall Trio – Sunday December 1, 2019

Sords-Severn-Duvall Trio
Sords-Severn-Duvall Trio

Sords-Severn-Duvall Trio
Sunday December 1, 2019 7:30 pm
BUY TICKETS

Sords-Severn-Duvall Trio – American violinist Andrew Sords, Australian cellist Luke Severn, and Canadian pianist Cheryl Duvall present ‘An Evening Celebrating Beethoven’ in honour of the 250th anniversary of the composer’s birth. They will be performing Beethoven’s Archduke trio, as well as works by Brahms, Ravel, and Severn. Old, new, varied, timeless, stellar!

Violinist Andrew Sords has a celebrated career as one of the most prolific soloists of his generation. Having appeared on 4 continents as a concerto soloist and with his piano trio, Sords has been cited for combining visceral virtuosity with a ravishing tone, while international critics endorse Sords as “a fully formed artist” (Kalisz-Poland News), “utterly radiant” (Canada’s Arts Forum), and “exceptionally heartfelt and soulful” (St. Maarten’s Daily Herald). Sords has received numerous awards and distinctions reflecting his career trajectory, including the 2012 Pittsburgh Concert Society Career Grant and the 2005 National Shirley Valentin Award. Andrew Sords

As a cellist, composer, and musical director, Luke Severn possesses a musical voice of great versatility and passion. Noted for his expressive performances and dynamic and engaging personality he is emerging as an artistic tour de force in the Australian musical landscape. As a soloist, Luke is a champion of both the standard concerto literature and new exciting works for cello and orchestra. A highly sought-after chamber musician, Luke has performed in festivals and chamber music series throughout Australia, Europe and North America. Performing alongside duo partner and pianist Elyane Laussade, he performs across Australia throughout the year. He completed a Piano Trio tour of Canada in 2017 with North American virtuosi Andrew Sords, violin, and Cheryl Duvall, piano. He engages in many other chamber ensemble performances as a freelance artist in Victoria, including appearances with the Blackwood Ensemble, Casey Chamber Musicians, and Allotropy String Quartet. Luke Severn

Cheryl Duvall is a multifaceted pianist with a penchant for musical risk taking and adventure. Equally comfortable in many different musical roles, she regularly appears as a soloist, collaborative pianist, adjudicator, teacher, producer and panelist, and has toured and performed throughout Canada, Europe, Argentina, the U.S and Japan. Cheryl’s strong affinity for boundary-pushing and innovative music making led her along with friend and violinist, Ilana Waniuk to co-found the Toronto-based Thin Edge New Music Collective, “One of Toronto hottest and bravest new music collectives” (Michael Vincent – Musical Toronto). Under the leadership of both Cheryl and Ilana, TENMC has commissioned and premiered over 60 new works for chamber ensemble to date with 9 more slated for their upcoming season and have garnered an exceptional international reputation through tours to Japan, Poland, Italy, Switzerland, Argentina and across Canada. Cheryl Duvall

Concert Program:

Johannes Brahms (1833-1897) Hungarian Dance No 6 in D Flat Major
Ludwig van Beethoven (1770-1827) Piano Trio in C Minor, Op 1 No 3
Luke Severn When the world was young
Maurice Ravel (1875-1937) Tzigane
Intermission
Ludwig van Beethoven (1770-1827) Piano Trio in B Flat Major, Op 97
“Archduke Trio”

Click on the images/links below to view short videos of the artists performing:

Andrew Sords – violin

Luke Severn – cello

Cheryl Duvall – piano

SINGLE CONCERT TICKETS
Adults – $40  Under 18 – $20
Students on the 8to12 program – $5

Purchase tickets at:

TICKET SELLER
Phone: (250) 549-SHOW (7469)
E-mail: boxoffice@ticketseller.ca

– or –

Visit The Performing Arts Centre Foyer
3800-34th Street, Vernon
All concerts are held in the Vernon and District Performing Arts Centre.